About 'pacific university location'|...the new and improved location in Mission Hills. Now, in the previous Pacific Beach (PB) location, Dojo Joe was known to simply walk into local establishments...
Ｏｎ Ｔｈｅ Ｂｅａｃｈ 830 ｔｏｎｓ ｏｆ ｐｌｕｔｏｎｉｕｍ ａｎｄ ｕｒａｎｉｕｍ ｃｏｎｔａｍｉｎａｔｉｏｎ ｆｒｏｍ ａｔｏｍｉｃ ｗｅａｐｏｎｓ ｔｅｓｔｓ ｗｅｒｅ ｂｕｒｉｅｄ ｂｅｎｅａｔｈ Ｍｏｎｔｅ Ｂｅｌｌｏ Ｉｓｌａｎｄ ｏｆｆ ｔｈｅ ｃｏａｓｔ ｏｆ ｗｅｓｔｅｒｎ Ａｕｓｔｒａｌｉａ ｉｎ ｔｈｅ 1950ｓ. Ｓｔａｓｈｅｄ ａｌｏｎｇ ｗｉｔｈ ｉｔ ｗａｓ ｋｎｏｗｌｅｄｇｅ ｔｈａｔ ｔｈｉｓ ｈａｒｍｆｕｌ ｓｕｂｓｔａｎｃｅ ｃｏｕｌｄ ｒｅｓｕｒｆａｃｅ ａｎｄ ｐｏｉｓｏｎ ｔｈｅ ｎａｔｉｖｅ Ａｂｏｒｉｇｉｎｅｓ, ｐｌａｎｔ ａｎｄ ａｎｉｍａｌ ｌｉｆｅ. Ｔｏｄａｙ, ｄｕｅ ｔｏ ｃｏｍｍｏｎ ｋｎｏｗｌｅｄｇｅ ｏｆ ｗｉｔｈｉｎ ｔｈｅ ｎｕｃｌｅａｒ ｃｏｍｍｕｎｉｔｙ, ａｎｙｏｎｅ ｗｉｔｈ Ｉｎｔｅｒｎｅｔ ａｃｃｅｓｓ ｏｒ ａ ｌｉｂｒａｒｙ ｃａｒｄ ｃａｎ ｒｅａｄ ａｂｏｕｔ ｉｔ. Ｏｔｈｅｒｗｉｓｅ ｉｔ ｃｏｕｌｄ ｂｅ ｆｏｕｎｄ ｄｅｅｐ ｗｉｔｈｉｎ ｔｈｅ ａｌｌｅｇｏｒｉｃａｌ ｃｏｎｔｅｘｔ ｏｆ Ｎｅｖｉｌ Ｓｈｕｔｅ'ｓ ｎｏｖｅｌ Ｏｎ Ｔｈｅ Ｂｅａｃｈ. Ｉｎ Ｓｔａｎｌｅｙ Ｋｒａｍｅｒ'ｓ ｐｒｏｄｕｃｔｉｏｎ ｏｆ ｔｈｅ ｆｉｌｍ ａｄａｐｔａｔｉｏｎ ｔｈｉｓ ａｌｌｅｇｏｒｙ ｃｏｍｅｓ ａｌｉｖｅ ｉｎ ｔｈｅ ｂｅａｕｔｉｆｕｌ ｂｌａｃｋ ａｎｄ ｗｈｉｔｅ ｗｏｒｋ ｏｆ Ｄ.Ｌ Ｆａｐｐ ａｎｄ Ｇ. Ｒｏｔｕｎｎｏ ａｎｄ ａｎ Ａ-ｌｉｓｔ ｃａｓｔ. Ｔｈｅ ｆａｃｅｔｓ ｏｆ ｔｈｅ ａｌｌｅｇｏｒｙ ｒｅｆｌｅｃｔ ａ ｐｏｌｉｔｉｃａｌ ｈｉｓｔｏｒｙ ｆｒｏｍ ｔｈｅ Ａｔｏｍｉｃ Ａｇｅ ａｓ ｗｅｌｌ ａｓ ｔｈｅ ｍｅｃｈａｎｉｓｔｉｃ ｗｅｄｇｅ ｔｅｃｈｎｏｌｏｇｙ ｄｒｉｖｅｓ ｂｅｔｗｅｅｎ ｔｈｅ ｒｅｌａｔｉｏｎｓｈｉｐｓ ｏｆ ｍｅｎ ａｎｄ ｗｏｍｅｎ. Ｂｅｆｏｒｅ ａｎａｌｙｚｉｎｇ ｔｈｅ ｆｉｌｍ ａｄａｐｔａｔｉｏｎ, ｉｔ ｓｈｏｕｌｄ ｂｅ ｍｅｎｔｉｏｎｅｄ ｔｈａｔ Ｓｈｕｔｅ'ｓ ｎｏｖｅｌ ｉｓ ｏｆ ｃｌａｓｓｉｃ ｓｔａｔｕｓ ｕｐｏｎ ｗｈｉｃｈ ｔｈｅ ｆｒｕｓｔｒａｔｉｏｎｓ ｏｆ ａ ｓｃｉｅｎｔｉｓｔ ａｎｄ ｇｉｆｔｅｄ ａｕｔｈｏｒ ｒｅｓｔ. Ｈｉｓ ｓｐｅｃｕｌａｔｉｖｅ ｓｃｉｅｎｃｅ ｆｉｃｔｉｏｎ ｓｔｏｒｙ ｉｓ ａ ｄｙｓｔｏｐｉａｎ ｗｏｒｌｄ ｏｆ ａｔｏｍｉｃ ｒａｄｉａｔｉｏｎ ｆａｌｌｏｕｔ, ｗｈｉｃｈ ｃｏｕｌｄ ｂｅ ｃｌｏｓｅｒ ｔｏ ａ ｒｅａｌｉｔｙ ｕｎｃｏｍｆｏｒｔａｂｌｅ ｆｏｒ ｍｏｓｔ ｔｏ ｒｅｃｏｇｎｉｚｅ. Ｔｈｅ ｓｕｒｖｉｖｉｎｇ ｉｎｈａｂｉｔａｎｔｓ ｏｆ ｅａｒｔｈ ｓｅｅｋ ｒｅｆｕｇｅｅ ｏｎ Ａｕｓｔｒａｌｉａ ａｓ ｃｉｖｉｌｉｚａｔｉｏｎ'ｓ ｄｒａｍａ ｕｎｆｏｌｄｓ ｉｔｓ ｌａｓｔ ａｃｔ. Ｉｔ ｉｓ ｍｅｎｔｉｏｎｅｄ ｉｎ ｔｈｅ Ｎｅｖｉｌ Ｓｈｕｔｅ Ａｒｃｈｉｖｅｓ Ｏｎ Ｌｉｎｅ ｔｈａｔ ｔｈｅ ａｕｔｈｏｒ ｗａｓ ｎｏｔ ｆｕｌｌｙ ｓａｔｉｓｆｉｅｄ ｗｉｔｈ Ｊｏｈｎ Ｐａｘｔｏｎ'ｓ ｓｃｒｅｅｎｐｌａｙ ａｓ ｓｏｍｅ ｏｆ ｔｈｅ ｔｈｅｍｅｓ ｗｅｒｅ ｍｉｓｉｎｔｅｒｐｒｅｔｅｄ. Ｔｈｏｕｇｈ Ｓｈｕｔｅ'ｓ ｃｅｎｔｒａｌ ｍｅｓｓａｇｅ ｓｔｉｌｌ ｓｕｒｖｉｖｅｓ ｉｎ ｔｈｅ ｆｉｌｍ ａｓ ａ ｄｉｓｔｒｅｓｓ ｓｉｇｎａｌ ｔｏ ｔｈｅ ｗｏｒｌｄ ａｂｏｕｔ ａｔｏｍｉｃ ｗｅａｐｏｎｓ. Ｔｈｅ ａｃｔｕａｌ ｄｉｓｔｒｅｓｓ ｓｉｇｎａｌ ｆｒｏｍ ｔｈｅ ｓｔｏｒｙ ｉｓ ａ ｋｅｙ ｐｏｉｎｔ ｉｎ ｔｈｅ ｏｒｉｇｉｎ ｏｆ ｂｌａｍｅ ａｎｄ ｔｈｅ ｓｔｏｒｙ'ｓ ｐｏｉｎｔｅｄ ｆｉｎｇｅｒ ａｓ ａ ｃｒｉｔｉｃ ｏｆ ａｔｏｍｉｃ ｗｅａｐｏｎｓ ｔｅｓｔｉｎｇ. Ｉｔ ｉｓ ｉｍｐｏｒｔａｎｔ ｎｏｔ ｉｎ ｗｈｏ ｉｓ ｓｅｎｄｉｎｇ ｔｈｅ ｄｉｓｔｒｅｓｓ ｓｉｇｎａｌ, ｂｕｔ ｗｈｅｒｅ ｉｔ ｉｓ ｃｏｍｉｎｇ ｆｒｏｍ. Ｔｈｅ ｌａｓｔ Ａｍｅｒｉｃａｎ ｓｕｒｖｉｖｏｒｓ, ｗｉｔｈ ｔｈｅ ｈｅｌｐ ｏｆ Ａｕｓｔｒａｌｉａｎ ｎａｖａｌ ｏｆｆｉｃｅｒｓ ａｎｄ Ｂｒｉｔｉｓｈ ｓｃｉｅｎｔｉｓｔｓ ｂｏａｒｄ ｔｈｅ ｓｕｂｍａｒｉｎｅ Ｓａｗｆｉｓｈ ｔｏ ｓｅｅｋ ｏｕｔ ｔｈｉｓ ｐｈａｎｔｏｍ ｄｉｓｔｒｅｓｓ ｓｉｇｎａｌ. Ｔｈｅ ｓｉｇｎａｌ ｃｏｍｉｎｇ ｂｙ ｗａｙ ｏｆ ｔｅｌｅｇｒａｐｈ ｉｓ ｉｎｄｅｃｉｐｈｅｒａｂｌｅ ａｓ Ｍｏｒｓｅ ｃｏｄｅ, ｙｅｔ ｉｔ ｃｏｕｌｄ ｂｅ ｔｈｅ ｏｎｌｙ ｇｌｉｍｍｅｒ ｏｆ ｈｏｐｅ ｏｎ ａ ｐｌａｎｅｔ ｓｃｏｒｃｈｅｄ ｂｙ ｎｕｃｌｅａｒ ｗａｒ. Ｔｈｅｙ ｔｒａｃｅ ｔｈｅ ｓｉｇｎａｌ ｔｏ ａｎ ａｂａｎｄｏｎ ｐｏｗｅｒ ｐｌａｎｔ ｉｎ ｔｈｅ Ｎｏｒｔｈｗｅｓｔｅｒｎ Ｕｎｉｔｅｄ Ｓｔａｔｅｓ ｏｎｌｙ ｔｏ ｆｉｎｄ ｉｔ ｗａｓ ａ ｃｏｋｅ ｂｏｔｔｌｅ ｓｔｕｃｋ ｏｎ ａ ｗｉｎｄｏｗ ｓｈａｄｅ ｔａｐｐｉｎｇ ｔｈｅ ｔｒａｎｓｍｉｔｔｅｒ ａｓ ｔｈｅ ｗｉｎｄ ｂｌｅｗ. Ｈｅｒｅ ｗｅ ｓｅｅ ｗｈｙ ｉｔ ｉｓ ｎｏｔ ｉｍｐｏｒｔａｎｔ ａｓ ｔｏ ｗｈｏ ｉｓ ｓｅｎｄｉｎｇ ｔｈｅ ｓｉｇｎａｌ, ｂｕｔ ｗｈｅｒｅ ｉｔ ｉｓ ｃｏｍｉｎｇ ｆｒｏｍ. Ｔｈｉｓ ｉｓ ｎｏｔ ｔｏ ｓａｙ ｔｈａｔ ｉｎ ｔｈｅ ｓｔｏｒｙ ｔｈｅ Ｕｎｉｔｅｄ Ｓｔａｔｅｓ ｉｓ ｔｏ ｂｌａｍｅ ｆｏｒ ｎｕｃｌｅａｒ ｗａｒ, ｉｔ ｉｓ ｑｕｉｔｅ ａｍｂｉｖａｌｅｎｔ ａｓ ｔｏ ｗｈｏ ｄｒｏｐｐｅｄ ｔｈｅ ｂｏｍｂ. Ｉｎ ｆａｃｔ ｔｈｅ ｑｕｅｓｔｉｏｎ ｏｆ ｗｈｏ ｓｔａｒｔｅｄ ｔｈｅ ｗａｒ ｉｓ ａ ｐｈｉｌｏｓｏｐｈｉｃａｌ ｕｎｃｅｒｔａｉｎｔｙ ｔｈｅ ｃｈａｒａｃｔｅｒｓ ａｒｅ ｆａｃｅｄ ｗｉｔｈ. Ｉｎ ｈｉｓｔｏｒｉｃａｌ ｃｏｎｔｅｘｔ ｔｈｅ ｓｔｏｒｙ ｉｓ ｕｓｉｎｇ ｔｈｅ Ｕ.Ｓ. ａｓ ａｎ ｅｘａｍｐｌｅ ａｓ ｔｏ ｔｈｅ ｄａｎｇｅｒｓ ｏｆ Ａｔｏｍｉｃ ｗｅａｐｏｎｓ ｔｅｓｔｉｎｇ ａｎｄ ｗｉｔｈ ｔｈｅ ｉｎｃｉｄｅｎｔ ｏｆ Ｈｉｒｏｓｈｉｍａ, ｔｈｅ ｌｏｃａｔｉｏｎ ｏｆ ｔｈｅ ｄｉｓｔｒｅｓｓ ｓｉｇｎａｌ ｈａｓ ａｎ ａｄｄｅｄ ｒｅｌｅｖａｎｃｅ. Ｆｕｒｔｈｅｒ ｍｏｒｅ ｔｈｅ ｓｉｇｎａｌ ｉｓ ｃｏｍｉｎｇ ｆｒｏｍ ａｎ ａｂａｎｄｏｎｅｄ Ｐｏｗｅｒ Ｐｌａｎｅｔ ｔｈａｔ ｉｓ ｃａｐｔｕｒｅｄ ｏｎ ｓｃｒｅｅｎ ａｓ ａ ｂａｒｏｎ ｉｎｄｕｓｔｒｉａｌ ｗａｓｔｅｌａｎｄ. Ｔｈｅ ｂｒｉｇｈｔ ｓｕｎ ｌｉｔ ａｒｃｈｉｔｅｃｔｕｒｅ, ａｓ ｉｆ ｓｃｏｒｃｈｅｄ, ｔａｋｅｓ ｏｎ ａｎ ｅｅｒｉｅ ｇｌｏｗ ｆｒｏｍ ｔｈｅ ｍｅｔａｌｌｉｃ ｐｉｐｅｓ ａｎｄ ｓｔｅｅｌ ｂｕｉｌｄｉｎｇｓ. Ｔｈｉｓ ｗａｓｔｅｌａｎｄ ｉｓ ｉｎ ｗｏｒｋｉｎｇ ｏｒｄｅｒ ａｓ ｔｈｅ ｐｏｗｅｒ ｉｓ ｓｔｉｌｌ ｒｕｎｎｉｎｇ ｗｈｉｌｅ ｈｕｍａｎ ｌｉｆｅ ｉｓ ａｎｎｉｈｉｌａｔｅｄ ａｎｄ ｅｎｃａｐｓｕｌａｔｅｓ ａ ｒｅｃｕｒｒｉｎｇ ｔｈｅｍｅ ｏｆ ｔｈｅ ｍａｃｈｉｎｅ ｔｈａｔ ｌｉｖｅｓ ｏｎ ａｆｔｅｒ ｈｕｍａｎ ｌｉｆｅ. Ｔｈｅ Ｕ.Ｓ. ｉｓ ｎｏｔ ｔｈｅ ｃａｕｓｅ ｏｆ ｔｈｅ Ａｔｏｍｉｃ ａｐｏｃａｌｙｐｓｅ ｉｎ ａｓ ｍｕｃｈ ａｓ ｈｕｍａｎｋｉｎｄ ｉｔｓｅｌｆ ｉｓ ｉｔｓ ｏｗｎ ｗｏｒｓｔ ｅｎｅｍｙ ｉｎ ｔｈｅ ｓｔｏｒｙ. Ａｓ Ｇｒｅａｔ Ｂｒｉｔａｉｎ, Ｔｈｅ Ｕ.Ｓ. ａｎｄ Ａｕｓｔｒａｌｉａ ａｒｅ ａｌｌ ｉｎ ｔｈｅ ｓａｍｅ ｂｏａｔ ｑｕｉｔｅ ｌｉｔｅｒａｌｌｙ, ｔｈｅ Ｓａｗｆｉｓｈ, ｉｆ ａｎｙｏｎｅ ｉｓ ｐｏｉｎｔｉｎｇ ｆｉｎｇｅｒｓ. Ｔｈｅ ｔｅｃｈｎｏｌｏｇｉｃａｌ ｐｒｏｇｒｅｓｓ ｏｆ ａｔｏｍｉｃ ａｎｄ ｉｎｄｕｓｔｒｉａｌ ｐｏｗｅｒ ｔｈａｔ ｇｅｔｓ ａｓｓｏｃｉａｔｅｄ ｔｏ ｔｈｅ Ｕ.Ｓ. ａｎｄ ｏｔｈｅｒ ｐｏｗｅｒｆｕｌ ｎａｔｉｏｎｓ ｉｓ ｂｌａｍｅｄ. Ｔｈｉｓ ｆｉｘａｔｉｏｎ ｏｆ ｐｏｗｅｒ ｉｓ ｍｏｒｅ ｓｐｅｃｉｆｉｃａｌｌｙ ｍａｎ'ｓ ｏｂｓｅｓｓｉｏｎ ｗｉｔｈ ｒａｃｉｎｇ ｔｏｗａｒｄｓ ｔｅｃｈｎｏｌｏｇｉｃａｌ ｐｒｏｇｒｅｓｓ ｗｈｅｒｅｉｎ ｈａｐｈａｚａｒｄ ｓｉｄｅ ｅｆｆｅｃｔｓ ａｒｅ ｈｉｓ ｕｎｄｏｉｎｇ. Ｈｅａｄｌｉｎｉｎｇ ｔｈｅ ｃａｓｔ ｉｓ ｔｈｅ Ｃｈａｒａｃｔｅｒ ｏｆ Ｄｗｉｇｈｔ Ｔｏｗｅｒｓ (Ｇｒｅｇｏｒｙ Ｐｅｃｋ), ｃｏｍｍａｎｄｅｒ ｏｆ ｔｈｅ ｓｕｂｍａｒｉｎｅ Ｕ.Ｓ.Ｓ. Ｓａｗｆｉｓｈ. Ｏｎ ｔｈｅ ｓｕｒｆａｃｅ Ｔｏｗｅｒｓ ｉｓ ｔｈｅ ｉｄｅａｌｉｚｅｄ Ａｍｅｒｉｃａｎ ｓｏｌｄｉｅｒ; ｌｏｙａｌ ｔｏ ｈｉｓ ｃｏｕｎｔｒｙ, ｃｒｅｗ ａｎｄ ｔｏ ｍｏｒａｌ ｊｕｄｇｍｅｎｔ. Ｈｉｓ ｆａçａｄｅ ｏｆ ｏｒｄｅｒ ａｎｄ ｒｅｌｉａｂｉｌｉｔｙ, ｔｈｏｕｇｈ ｎｅｖｅｒ ｃｏｍｐｌｅｔｅｌｙ ｕｎｒａｖｅｌｅｄ, ｉｓ ａ ｔｅｓｔａｍｅｎｔ ｔｏ ａｌｌ ｔｈａｔ ｍａｎ ｒｉｓｋｓ ｌｏｓｉｎｇ ｉｎ ｓｅｌｆ-ａｂｓｏｒｂｅｄ ｆｕｌｆｉｌｌｍｅｎｔ ｏｆ ｔｅｃｈｎｏｌｏｇｉｃａｌ ａｍｂｉｔｉｏｎ. Ａｓ ｔｈｅ ｆｉｇｕｒｅｈｅａｄ Ａｍｅｒｉｃａｎ ｉｎ ｔｈｅ ｓｔｏｒｙ ｈｅ ｒｅｐｒｅｓｅｎｔｓ ｔｈｅ ｍｉｌｉｔａｒｙ ｍａｃｈｉｎｅ ｓｔｉｌｌ ｆｕｎｃｔｉｏｎｉｎｇ ｅｖｅｎ ａｆｔｅｒ ｄｉｓａｓｔｅｒ ｊｕｓｔ ａｓ ｔｈｅ Ｐｏｗｅｒ Ｐｌａｎｔ (ｔｒａｎｓｍｉｔｔｉｎｇ ｔｈｅ ｄｉｓｔｒｅｓｓ ｓｉｇｎａｌ) ｓｔｉｌｌ ｏｐｅｒａｔｅｓ. Ｔｏｗｅｒｓ ｄｕａｌ ｒｏｌｅ ｉｓ ａｓ ｔｈｅ ｐｏｔｅｎｔｉａｌ, ｂｕｔ ｕｎｆｏｒｔｕｎａｔｅｌｙ ｆａｉｌｉｎｇ, ｊｉｎｇｏ ｔｏ ｒｅｆｏｒｍ ｂｅｆｏｒｅ ｉｔ ｉｓ ｔｏｏ ｌａｔｅ ａｓ ａ ｍａｎ ｗｈｏ ｈａｓ ｌｏｓｔ ｈｉｓ ｆａｍｉｌｙ ａｎｄ ｃｏｕｎｔｒｙ. Ｇｒｅｇｏｒｙ Ｐｅｃｋ'ｓ ｎａïｖｅ, ｙｅｔ ａｄｍｉｒａｂｌｅ Ａｍｅｒｉｃａｎ ｐｒｅｓｅｎｃｅ ｃｈａｒｍｓ ｔｈｅ Ａｕｓｔｒａｌｉａｎ ｎａｔｉｖｅ Ｍｏｉｒａ Ｄａｖｉｄｓｏｎ, ａ ｒｕｇｇｅｄ, ｙｅｔ ｖｏｌｕｐｔｕｏｕｓ Ｅｖａ Ｇａｒｄｎｅｒ. Ｓｈｅ ａｌｓｏ ｒｅｌａｔｅｓ ａ ｓａｄ ｃｏｎｄｉｔｉｏｎ ｆｏｒ ｗｏｍｅｎ ｃｏｐｉｎｇ ａｓ ｏｂｊｅｃｔｓ ｏｆ ｂｅａｕｔｙ ｂｕｔ ｗｉｔｈ ｕｎｇｒａｔｅｆｕｌ ｈｕｓｂａｎｄｓ, ａｓ ｉｎ ｔｈｅ ｓｃｅｎｅ ｗｈｅｒｅ ｎａｖａｌ ｓａｉｌｏｒｓ ｇａｗｋ ａｔ ｈｅｒ. Ｓｈｅ ｉｓ ａ Ｔｗｅｎｔｉｅｔｈ ｃｅｎｔｕｒｙ ｆｏｘ ｗｈｏｓｅ ｌａｓｔ ｈｏｐｅ ｆｏｒ ｌｏｖｅ ｆｏｕｎｄ ｉｎ Ｃｏｍｍａｎｄｅｒ Ｔｏｗｅｒｓ ｉｓ ａｌｓｏ ｈｉｓ ｃｈａｎｃｅ ｔｏ ｒｅｄｅｅｍ ｍａｎ ｆｒｏｍ ｈｉｓ ｄｅｓｔｒｕｃｔｉｖｅ ｃｏｎｑｕｅｓｔｓ. Ｔｏｗｅｒｓ ａｎｄ Ｍｏｉｒａ ｏｆｆｅｒ ａｒｃｈｅｔｙｐａｌ ｃｈａｒａｃｔｅｒｓ, ｂｕｔ ｔｏ ｕｎｄｅｒｓｔａｎｄ ｈｕｍａｎｉｔｉｅｓ ｗｏｒｓｔ ｆａｉｌｉｎｇ, ｔｈｅ ｆｉｌｍ ｃｏｎｖｅｙｓ Ｊｕｌｉａｎ Ｏｓｂｏｒｎｅ, ａｓ ｐｌａｙｅｄ ｂｙ ｔｈｅ ｓａｇａｃｉｏｕｓ Ｆｒｅｄ Ａｓｔａｉｒｅ. Ｄｅｅｍｅｄ ａｓ ａ ｔｕｒｎｉｎｇ ｐｏｉｎｔ ｉｎ Ａｓｔａｉｒｅ'ｓ ｃａｒｅｅｒ ｔｏｗａｒｄｓ ｄｒａｍａ, ｈｅ ａｃｈｉｅｖｅｓ ａ ｄｕａｌｉｔｙ ｅｎｃｏｍｐａｓｓｅｄ ｉｎ ｔｈｅ ｒｏｌｅ ａｓ ｔｈｅ ｆｉｌｍ'ｓ ａｐａｔｈｅｔｉｃ ｓｃｉｅｎｔｉｓｔ ａｎｄ ａｓ ｖｏｉｃｅ ｏｆ ｒｅａｓｏｎ. Ａｓ ｔｈｅ Ｂｒｉｔｉｓｈ ｓｃｉｅｎｔｉｓｔ ａｓｓｉｇｎｅｄ ｔｏ ｔｈｅ Ｓａｗｆｉｓｈ ｔｏ ｃｈｅｃｋ ｒａｄｉａｔｉｏｎ ｌｅｖｅｌｓ, ｈｅ ｈａｒｂｏｒｓ ａ ｇｒｕｄｇｅ ｏｆ ｒｅｇｒｅｔ ｆｏｒ ｂｅｉｎｇ ｏｎｅ ｏｆ ｔｈｅ ｓｃｉｅｎｔｉｓｔｓ ｗｈｏ ｈｅｌｐｅｄ ｂｕｉｌｄ ｔｈｅ ｂｏｍｂｓ. Ｈｅ ｓｔｉｌｌ ｒｅｐｒｅｓｅｎｔｓ ａ ｃｈａｒａｃｔｅｒ ｔｈａｔ ｅｎａｂｌｅｓ ｔｈｅ ｍａｃｈｉｎｅ ｔｏ ｒｕｎ ｅｖｅｎ ａｆｔｅｒ ｈｉｓ ｄｅａｔｈ ａｓ ｗｅ ｓｅｅ ｉｎ ｈｉｓ ｓｕｉｃｉｄｅ ｓｃｅｎｅ, ｉｎｈａｌｉｎｇ ｔｈｅ ｅｘｈａｕｓｔ ｏｆ ｈｉｓ Ｆｅｒｒａｒｉ. Ｔｈｅ ｓａｍｅ Ｆｅｒｒａｒｉ ｔｈａｔ ｗｅ ｓｅｅ Ｊｕｌｉａｎ ｗｉｎ ａ ｓｅｎｓｅｌｅｓｓ ｃａｒ ｒａｃｅ ｗｉｔｈ ａｓ ｔｈｅ ｓｈｏｔ ｉｓｏｌａｔｅｓ ｈｉｍ ａｌｏｎｅ ｃｒｏｓｓｉｎｇ ｔｈｅ ｆｉｎｉｓｈ ｌｉｎｅ, ａｌｌ ｏｔｈｅｒ ｃａｒｓ ｃｒａｓｈｅｄ ａｎｄ ｂｕｒｎｅｄ ｂｅｓｉｄｅ ｔｈｅ ｔｒａｃｋ. Ａｎｏｔｈｅｒ ｋｅｙ ｓｈｏｔ ｏｆ Ｊｕｌｉａｎ ｉｓ ｏｎ ｔｈｅ ｓｕｂｍａｒｉｎｅ Ｓａｗｆｉｓｈ ｔｈａｔ ｃｏｍｐｏｓｅｓ ｈｉｍ ａｌｏｎｅ ｉｎ ｔｈｅ ｃｏｒｎｅｒ ｏｆ ｔｈｅ ｆｒａｍｅ ａｆｔｅｒ ａｄｍｉｔｔｉｎｇ ｅｎｖｙ ｏｆ ａｎｏｔｈｅｒ ｆｏｒ ｈａｖｉｎｇ ｌｏｖｅｄ ｏｎｅｓ ｔｏ ｗｏｒｒｙ ａｂｏｕｔ. Ｔｈａｔ ｈｉｓ ｃｈａｒａｃｔｅｒ ｉｓ ａ Ｂｒｉｔｉｓｈ ｓｃｉｅｎｔｉｓｔ ｈａｓ ｇｒｅａｔ ｓｉｇｎｉｆｉｃａｎｃｅ ｔｏ ｔｈｉｓ ｐｏｒｔｒａｉｔ ｏｆ ａｎ ｉｓｏｌａｔｅｄ ｍａｎ ｗｈｏ ｌｉｖｅｓ ｆｏｒ ｈｉｓ ｍａｃｈｉｎｅ ａｓ ｄｅｍｏｎｓｔｒａｔｅｄ ｉｎ ｔｈｅ ａｌｌｅｇｏｒｙ. Ｍｏｓｔ ｏｆ ａｌｌ ｔｈｒｏｕｇｈ Ｍｏｉｒａ, Ｊｕｌｉａｎ ｅｐｉｔｏｍｉｚｅｓ ｗｈａｔ Ｔｏｗｅｒｓ ｔｒｉｅｓ ｔｏ ｅｓｃａｐｅ ａｓ ａ ｍａｎ. Ｏｎｌｙ ｉｎ ａｔｔｅｍｐｔ ｄｏｅｓ Ｔｏｗｅｒｓ ｔｒｙ ｔｏ ｏｖｅｒｃｏｍｅ ｔｈｅ ｔｅｃｈｎｏｌｏｇｉｃａｌ ｏｂｓｅｓｓｉｏｎｓ ａｓ ｓｅｅｎ ｔｈｒｏｕｇｈ Ｊｕｌｉａｎ, ｂｕｔ ｔｈｅｒｅ ｉｓ ｎｏ ｈａｐｐｙ ｅｎｄｉｎｇ ｔｏ ｔｈｉｓ ｄｙｓｔｏｐｉａ. Ｔｏｗｅｒ'ｓ ｄｒｅａｍｓ ａｎｄ ｖｉｃｔｏｒｉｅｓ, ｓｕｃｈ ａｓ ｗｉｎｎｉｎｇ ｔｈｅ ｓａｉｌｂｏａｔ ｒａｃｅ ａｎｄ ｔｒｏｕｔ ｆｉｓｈｉｎｇ ａｒｅ ｃｏｎｓｔａｎｔｌｙ ｆｏｉｌｅｄ ｂｙ Ｍｏｉｒａ, ｂｕｔ ｉｎ ａ ｐｌａｙｆｕｌ ｎａｔｕｒｅ ｓｏ ｔｈａｔ ｔｈｅ ｒｏｌｅ ｏｆ ａ ｗｏｍａｎ ｉｎ ａ ｍａｎ'ｓ ｌｉｆｅ ｂｅｃｏｍｅｓ ａｎ ｉｍｐｏｒｔａｎｔ ｍｅｓｓａｇｅ ｏｆ ｒｅｄｅｍｐｔｉｏｎ ｆｒｏｍ ｔｅｃｈｎｏｃｒａｃｙ. Ｔｈｅｒｅ ｉｓ ａｌｓｏ Ｌｔ. Ｐｅｔｅｒ Ｈｏｌｍｅｓ (Ａｎｔｈｏｎｙ Ｐｅｒｋｉｎｓ) ａｎｄ ｈｉｓ ｗｉｆｅ Ｍａｒｙ (Ｄｏｎｎａ Ａｎｄｒｅｗｓ) ｗｈｏｓｅ ｎａïｖｅ ｙｏｕｎｇ ｍａｒｒｉａｇｅ ｉｓ ｔｈｅ ｃｏｍｍｏｎ ｅｙｅｓ ｆｒｏｍ ｗｈｉｃｈ ｔｏ ｖｉｅｗ ｔｈｉｓ ｄｉｓａｓｔｅｒ. Ｉｎ ｅｓｓｅｎｃｅ ｔｈｅｙ ａｒｅ ｔｈｅ ｐｕｂｌｉｃ ｂｌｉｎｄｅｄ ｔｏ ｒｅａｌｉｔｙ ｗｈｉｌｅ ｔｒｙｉｎｇ ｔｏ ｍａｉｎｔａｉｎ ａ ｓｔａｔｕｓ ｑｕｏ ａｎｄ ｒｅｆｕｓｅ ｔｏ ａｃｋｎｏｗｌｅｄｇｅ ｔｈｅｉｒ ｉｎｅｖｉｔａｂｌｅ ｄｏｏｍ. Ｔｈｅｉｒ ｒｅｌａｔｉｏｎｓｈｉｐ ｔｏ ｔｈｅ ｓｉｔｕａｔｉｏｎ ｉｓ ｅｓｔａｂｌｉｓｈｅｄ ｅａｒｌｙ ｏｎ ｉｎ ｔｈｅ ｓｃｅｎｅ ｔｈａｔ ｉｎｔｒｏｄｕｃｅｓ ｔｈｅｍ. Ｐｅｔｅｒ ｉｓ ｇａｚｉｎｇ ｏｆｆ ｃｏｎｆｕｓｅｄｌｙ ａｔ ａ ｃａｌｅｎｄａｒ, ｔｉｍｅ ｗｅｉｇｈｉｎｇ ｄｏｗｎ ｈｉｓ ｔｈｏｕｇｈｔｓ ｗｏｎｄｅｒｉｎｇ ｗｈｅｎ ｔｈｅ ｒａｄｉａｔｉｏｎ ｃｌｏｕｄｓ ｗｉｌｌ ａｒｒｉｖｅ. Ａｓ Ｍａｒｙ ａｐｐｒｏａｃｈｅｓ ｈｉｍ ｈｅ ｂｌｏｃｋｓ ｈｅｒ ｐａｔｈ ｉｎ ｔｈｅ ｄｏｏｒｗａｙ ｃｏｖｅｒｉｎｇ ｈｅｒ ｆａｃｅ ｗｉｔｈ ｈｉｓ ｏｕｔｓｔｒｅｔｃｈｅｄ ａｒｍ, ｃａｓｔｉｎｇ ｓｈａｄｏｗｓ ｔｈａｔ ｐｕｓｈ ｈｅｒ ｉｎｔｏ ｄａｒｋｎｅｓｓ, ａｆｔｅｒ ｗｈｉｃｈ ｔｈｅｙ ｅｍｂｒａｃｅ ｉｎ ｍｕｔｕａｌ ｆｅａｒ ａｎｄ ｃｏｎｆｕｓｉｏｎ. Ｈｅｒｅ Ｐｅｔｅｒ ｉｓ ｃｏｎｆｌｉｃｔｅｄ ｂｅｔｗｅｅｎ ｂｅｉｎｇ ａ ｓｏｌｄｉｅｒ, ｗａｎｔｉｎｇ ｔｏ ｐｒｏｔｅｃｔ ｈｉｓ ｆａｍｉｌｙ ａｎｄ ａｌｓｏ ｂｅｉｎｇ ｊｕｓｔ ａｓ ｃｏｎｆｕｓｅｄ ａｎｄ ｔｅｒｒｉｆｉｅｄ ａｓ ｔｈｅ ｒｅｓｔ. Ａｌｏｎｇ ｗｉｔｈ ｔｈｅ Ａｄｍｉｒａｌ Ｂｒｉｄｉｅ (Ｊｏｈｎ Ｔａｔｅ) ａｎｄ ｈｉｓ ｓｅｃｒｅｔａｒｙ Ｈｏｓｇｏｏｄ (Ｌｏｌａ Ｂｒｏｏｋｓ), ｔｈｅｓｅ ａｆｏｒｅｍｅｎｔｉｏｎｅｄ ｃｈａｒａｃｔｅｒｓ ｗｅａｖｅ ａ ｐａｔｔｅｒｎ ｏｆ ｍａｌｅ ｔｏ ｆｅｍａｌｅ ｒｅｌａｔｉｏｎｓｈｉｐｓ ｉｎ ｔｈｅ Ｓｃｉｅｎｃｅ Ｆｉｃｔｉｏｎ/Ｄｉｓａｓｔｅｒ ｇｅｎｒｅ ａｓ ａｒｃｈｅｔｙｐｅｓ ｏｆ ｔｈｅ ｃｏｍｍｏｎ ａｎｄ ｉｃｏｎｉｃ. Ａ ｐａｔｔｅｒｎ ｉｎ ｔｈａｔ ｔｈｅ ｓａｍｅ ｉｎｄｉｖｉｄｕａｌ ｆｒｕｓｔｒａｔｉｏｎｓ ｅｘｉｓｔ ｆｏｒ ｔｈｅ ｉｄｅａｌｉｚｅｄ ｒｅｌａｔｉｏｎｓｈｉｐ ｏｒ ｔｈｅ ｄｙｓｆｕｎｃｔｉｏｎａｌ ｏｎｅ ｗｈｅｎ ｆａｃｅｄ ｗｉｔｈ ｅｘｔｉｎｃｔｉｏｎ. Ｍａｎｙ ｏｆ ｔｈｅｓｅ ｒｅｌａｔｉｏｎｓｈｉｐｓ ａｒｅ ｖｉｓｕａｌｌｙ ａｃｃｏｍｐａｎｉｅｄ ｂｙ Ｄｕｔｃｈ Ａｎｇｌｅ Ｓｈｏｔｓ. Ｏｎｅ ｉｓ ｕｓｅｄ ｔｏ ｆｒａｍｅ Ｄｗｉｇｈｔ ａｎｄ Ｍｏｉｒａ ａｓ ｔｈｅｙ ｃｏｍｅ ｔｏ ｔｅｒｍｓ ｗｉｔｈ ｒｅａｌｉｔｙ ａｆｔｅｒ ａｎ ｅｖｅｎｉｎｇ ｐａｒｔｙ. Ｔｈｅ ｃａｍｅｒａ ｔｉｌｔｓ ｂａｃｋ ａｎｄ ｆｏｒｔｈ ｉｎ ａ Ｄｕｔｃｈ ａｎｇｌｅ ａｓ ｉｆ ｔｈｅｙ ａｒｅ ａｔ ｓｅａ. Ｔｈｉｓ ｃｏｎｎｅｃｔｓ ｔｈｅｍａｔｉｃａｌｌｙ ｔｏ ａｎｏｔｈｅｒ Ｄｕｔｃｈ Ａｎｇｌｅ ｓｈｏｔ ｌａｔｅｒ ｉｎ ｔｈｅ ｆｉｌｍ ｏｆ Ｄｗｉｇｈｔ ｏｎ ａ ｌｉｆｅｂｏａｔ ｗｉｔｈ ｈｉｓ ｃｒｅｗ ａｓ ｔｈｅｙ ｄｅｃｉｄｅ ｗｈｅｔｈｅｒ ｔｏ ｓｔａｙ ａｗａｉｔ Ａｕｓｔｒａｌｉａ'ｓ ｃｏｎｔａｍｉｎａｔｉｏｎ ｏｒ ｒｅｔｕｒｎ ｔｏ ｄｉｅ ｉｎ ｔｈｅ Ｕ.Ｓ. Ｉｔ ｉｓ ａｓ ｉｆ Ｄｗｉｇｈｔ ｉｓ ｔｒａｐｐｅｄ ａｔ ｓｅａ ｔｒｙｉｎｇ ｔｏ ｄｅｃｉｄｅ ｂｅｔｗｅｅｎ ｌｏｖｅ ａｎｄ ｌｏｙａｌｔｙ ｗｈｅｎ ｔｈｅ ｉｎｅｖｉｔａｂｌｅ ｉｆ ｈｉｓ ｏｎｌｙ ｆａｔｅ. Ｔｈｅｒｅ ａｒｅ 4 ｏｔｈｅｒ Ｄｕｔｃｈ Ａｎｇｌｅ ｓｈｏｔｓ (Ｄ.Ａ.Ｓ.), ｏｎｅ ｏｆ ｔｈｅ ｗａｔｃｈｔｏｗｅｒ ｆｒｏｍ ｗｈｉｃｈ ｗｅ ｆｉｒｓｔ ｈｅａｒ ｔｈｅ ｒａｄｉｏ ｂｒｏａｄｃａｓｔ ａｓ ｉｔ ｗｅｌｃｏｍｅｓ ｔｈｅ Ｓａｗｆｉｓｈ. Ｈｅｒｅ ｔｈｅ ｒｅｌａｔｉｏｎｓｈｉｐ ｉｎ ｔｕｒｍｏｉｌ ｉｓ ｂｅｔｗｅｅｎ ｎａｔｉｏｎｓ ｏｆ ｉｎｄｕｓｔｒｙ ａｎｄ ｅｍｂｏｄｉｅｓ ａｕｔｈｏｒ Ｍｅａｇｈａｎ Ｍｏｒｒｉｓ'ｓ ｕｓｅ ｏｆ ｔｈｅ ｐｈｒａｓｅ "Ｏｎ Ｔｈｅ Ｂｅａｃｈ", ａｓ ａ "ｆｒａｍｅｗｏｒｋ ｃｕｌｔｕｒａｌｌｙ ａｖａｉｌａｂｌｅ" ｆｏｒ ａｄｄｒｅｓｓｉｎｇ ｔｈｅ ｗｏｒｌｄ, ｔｈｅ ｈｕｍａｎ ｃｏｎｄｉｔｉｏｎ, ｐｕｂｌｉｃ ａｆｆａｉｒｓ ａｎｄ ｅｖｅｎ ａｎ ｉｎｔｉｍａｔｅ ｔｒｉｖｉａｌ ｓｉｔｕａｔｉｏｎ; ｉｎｅｖｉｔａｂｌｅ ｂｅａｃｈｅｄ. (Ｍｏｒｒｉｓ) Ａｎｏｔｈｅｒ Ｄ.Ａ.Ｓ. ｏｆ Ｐｅｔｅｒ ａｎｄ Ｍａｒｙ ｔｒａｐ ｔｈｅｉｒ ｒｅｌａｔｉｏｎｓｈｉｐ ｉｎ ｔｕｒｍｏｉｌ ａｓ ｔｈｅｙ ｄｅａｌ ｗｉｔｈ ｔｈｅ ｒｅａｌｉｔｙ ｏｆ ｓｕｉｃｉｄｅ ｐｉｌｌｓ ｔｏ ａｖｏｉｄ ｒａｄｉａｔｉｏｎ. Ｔｈｅ Ｄ.Ａ.Ｓ ｂｅｔｗｅｅｎ Ｄｗｉｇｈｔ ａｎｄ Ｊｕｌｉａｎ ａｆｔｅｒ ｔｈｅ ｃｌｏｕｄ ｒｅａｃｈｅｓ Ａｕｓｔｒａｌｉａ ｐｕｔｓ ｍａｎ ｉｎ ｃｏｎｆｌｉｃｔ ｗｉｔｈ ｈｉｍｓｅｌｆ ａｓ ｔｈｅｙ ｓｔａｎｄ ｏｖｅｒ ａ ｒａｄｉａｔｉｏｎ ｄｅｔｅｃｔｉｏｎ ｄｅｖｉｃｅ, ｔｈｅｉｒ ｏｗｎ ｓｉｃｋｎｅｓｓ ｎｏｔ ｅｎｏｕｇｈ ｔｏ ｗａｒｎ ｔｈｅｍ. Ｔｈｅ ｌａｓｔ Ｄ.Ａ.Ｓ. ｆｒａｍｅｓ Ｂｒｉｄｉｅ ａｎｄ Ｈｏｓｇｏｏｄ ａｓ ａ ｃｏｎｆｌｉｃｔ ｏｆ ｍａｎ'ｓ ｎｅｇｌｅｃｔ ｏｆ ａ ｗｏｍａｎ'ｓ ｌｏｖｅ ａｓ ｔｈｅｙ ｔｏａｓｔ ａ ｇｌａｓｓ ｏｆ ｓｈｅｒｒｙ ｔｏ ａ "ｂｌｉｎｄ, ｂｌｉｎｄ ｗｏｒｌｄ." Ｔｈｉｓ ａｓｐｅｃｔ ｏｆ ｔｈｅ ｓｔｏｒｙ'ｓ ｈｕｍａｎ ｒｅｌａｔｉｏｎｓｈｉｐｓ ｐｅｒｓｏｎａｌｉｚｅｓ ｔｈｅ ｐｏｌｉｔｉｃａｌ ａｌｌｅｇｏｒｙ ｏｆ ｔｈｅ ｆｉｌｍ. Ｔｈｏｕｇｈ ｉｎ ｈｉｓｔｏｒｉｃａｌ ｃｏｎｔｅｘｔ ｇｅｎｄｅｒ ｃｏｎｆｌｉｃｔｓ ｍａｙ ｎｏｔ ｈａｖｅ ａ ｒｅｃｏｒｄｅｄ ｏｒ ｏｆｆｉｃｉａｌ ｒｏｌｅ, ｂｕｔ ｃｏｎｓｉｄｅｒｉｎｇ ｕｎｄｅｒｌｙｉｎｇ ｍｅｓｓａｇｅｓ ｏｆ ｔｈｅ ｆｉｌｍ ｔｈｅ ｇｅｎｄｅｒ ｒｏｌｅ ｉｓ ｉｎｔｅｇｒａｌ ｔｏ ｍａｎ'ｓ ｒｅｌａｔｉｏｎｓｈｉｐ ｔｏ ｔｈｅ ｍａｃｈｉｎｅ. Ａｓ ｍｅｎｔｉｏｎｅｄ, ｐｌｕｔｏｎｉｕｍ ａｎｄ ｕｒａｎｉｕｍ ｃｏｎｔａｍｉｎａｔｉｏｎ ｆｒｏｍ ｗｅａｐｏｎｓ ｔｅｓｔｉｎｇ ｗａｓ ｂｕｒｉｅｄ ｏｆｆ ｔｈｅ ｃｏａｓｔ ｏｆ Ａｕｓｔｒａｌｉａ. Ｔｈｉｓ ｔｏｏｋ ｐｌａｃｅ ｄｕｒｉｎｇ ａ ｓｅｒｉｅｓ ｏｆ 12 ａｔｏｍｉｃ ｔｅｓｔｓ ｄｏｎｅ ｂｙ Ｂｒｉｔｉｓｈ ｓｃｉｅｎｔｉｓｔｓ ｂｅｔｗｅｅｎ 1952 ａｎｄ 1956. Ｎｅｖｉｌ Ｓｈｕｔｅ'ｓ ｎｏｖｅｌ ｗａｓ ｐｕｂｌｉｓｈｅｄ ｉｎ 1957 ａｎｄ ｔｈｅ ｆｉｌｍ ｗａｓ ｒｅｌｅａｓｅｄ ｉｎ 1959. Ｔｈｉｓ ｓｅｒｉｅｓ ｏｆ ｅｖｅｎｔｓ ｈａｖｅ ｏｂｖｉｏｕｓ ｐａｒａｌｌｅｌｓ ｏｆ ｉｎｆｌｕｅｎｃｅ, ｅｓｐｅｃｉａｌｌｙ ｉｎ Ｓｈｕｔｅ'ｓ ｒｏｌｅ ｉｎ ｔｈｅ ｓｃｉｅｎｔｉｆｉｃ ｃｏｍｍｕｎｉｔｙ ａｎｄ ｌａｙ ｔｈｅ ｇｒｏｕｎｄｗｏｒｋ ｆｏｒ ｔｈｅ ａｌｌｅｇｏｒｙ. Ｆｏｒ ｏｎｅ, Ｂｒｉｔｉｓｈ ｓｃｉｅｎｔｉｓｔｓ ｃｏｎｄｕｃｔｅｄ ｔｈｅ ｅｘｐｅｒｉｍｅｎｔｓ ａｎｄ ａｒｅ ｐａｒａｌｌｅｌｅｄ ｔｏ ｔｈｅ ｃｈａｒａｃｔｅｒ ｏｆ Ｊｕｌｉａｎ Ｏｓｂｏｒｎｅ, ｔｈｅ Ｂｒｉｔｉｓｈ ｓｃｉｅｎｔｉｓｔ ｉｎ ｔｈｅ ｓｔｏｒｙ. Ｆｕｒｔｈｅｒ ｍｏｒｅ, ｍｕｃｈ ｃｒｉｔｉｃａｌ ａｎａｌｙｓｉｓ ｏｆ ｔｈｅ ｎｏｖｅｌ ｃｌａｉｍ Ｏｓｂｏｒｎｅ ｔｏ ｂｅ ａｎ ａｌｔｅｒ ｅｇｏ ｏｆ Ｎｅｖｉｌ Ｓｈｕｔｅ, ａｎ ｅｎｇｉｎｅｅｒ ｈｉｍｓｅｌｆ. Ｉｔ ｉｓ ａｌｓｏ ｒｅｐｏｒｔｅｄ ｔｈａｔ ｔｈｅ ＣＳＩＲＯ (Ｃｏｍｍｏｎｗｅａｌｔｈ Ｓｃｉｅｎｔｉｆｉｃ ａｎｄ Ｉｎｄｕｓｔｒｉａｌ Ｒｅｓｅａｒｃｈ Ｏｒｇａｎｉｚａｔｉｏｎ) ａｔｔｅｍｐｔｅｄ ｔｏ ｓｕｐｅｒｖｉｓｅ ｍｕｃｈ ｏｆ ｔｈｅ ａｔｏｍｉｃ ｔｅｓｔｓ ａｓ ｆａｒ ａｓ ｓａｆｅｔｙ. Ｔｈｅ ｓａｍｅ "ＣＳＩＲ" ｍｅｎｔｉｏｎｅｄ ｉｎ ｔｈｅ ｓｔｏｒｙ ａｓ ｔｈｅ ｏｒｇａｎｉｚａｔｉｏｎ ｔｈａｔ ｈａｓ ａｓｓｉｇｎｅｄ ｔｈｅ ｃｈａｒａｃｔｅｒ Ｊｕｌｉａｎ Ｏｓｂｏｒｎｅ ｔｏ ｔｈｅ ｓｕｂｍａｒｉｎｅ Ｓａｗｆｉｓｈ. Ｉｔ ｉｓ ｉｎｔｅｒｅｓｔｉｎｇ ｔｏ ｎｏｔｅ ｔｈａｔ ｉｎ ｔｈｅ ｎｏｖｅｌ ｔｈｅ Ｏｓｂｏｒｎｅ ｃｈａｒａｃｔｅｒ'ｓ ｆｉｒｓｔ ｎａｍｅ ｉｓ Ｊｏｈｎ, ａｎｄ ｗａｓ ｃｈａｎｇｅｄ ｔｏ Ｊｕｌｉａｎ ｉｎ ｔｈｅ ｓｃｒｅｅｎｐｌａｙ. Ｔｈｉｓ ｉｓ ｐｅｒｈａｐｓ ａｎｏｔｈｅｒ ｈｉｓｔｏｒｉｃａｌ ｃｏｎｎｅｃｔｉｏｎ ｔｏ ｔｈｅ ｓｐｙ Ｊｕｌｉｕｓ Ｒｏｓｅｎｂｅｒｇ ｗｈｏ ｗａｓ ｅｘｅｃｕｔｅｄ ｆｏｒ ｓｈａｒｉｎｇ Ａｍｅｒｉｃａｎ ａｔｏｍｉｃ ｓｅｃｒｅｔｓ ｉｎ ｔｈｅ ｆａｍｏｕｓ Ｒｏｓｅｎｂｅｒｇ Ｔｒｉａｌｓ. Ｔｈｏｕｇｈ ａ ｎａｍｅ ｍａｙ ｎｏｔ ｂｅ ａ ｄｉｒｅｃｔ ｃｏｒｒｅｌａｔｉｏｎ ｉｔ ｌｅａｄｓ ｔｏ ａｎｏｔｈｅｒ ｌａｙｅｒ ｏｆ ｔｈｅ ａｌｌｅｇｏｒｙ ｉｎ ｔｈａｔ ｈｉｓｔｏｒｉｃａｌｌｙ, ｔｈｏｕｇｈ Ｂｒｉｔａｉｎ ａｎｄ ｔｈｅ Ｕ.Ｓ. ｗｅｒｅ Ｗｏｒｌｄ Ｗａｒ ＩＩ ａｌｌｉｅｓ, ｔｈｅｙ ｄｉｄ ｎｏｔ ｓｈａｒｅ ａｔｏｍｉｃ ｓｅｃｒｅｔｓ (Ｃａｖｅｎｄｉｓｈ). Ｉｎ ｗａｓ ｉｎ ｅｓｓｅｎｃｅ ａ ｒａｃｅ ｂｅｔｗｅｅｎ ａｌｌ ｎａｔｉｏｎｓ ａｓ ｔｏ ｗｈｏ ｃｏｕｌｄ ｄｅｖｅｌｏｐ ｔｈｅ ｂｏｍｂ ｆｉｒｓｔ. Ｔｈｉｓ ａｔｏｍｉｃ ｒａｃｅ ｉｓ ｍｅｔａｐｈｏｒｉｃａｌｌｙ ｐｒｅｖａｌｅｎｔ ｉｎ Ｄｗｉｇｈｔ Ｔｏｗｅｒｓ ｓａｉｌｂｏａｔ ｒａｃｅ ａｎｄ ｉｎ Ｊｕｌｉａｎ Ｏｓｂｏｒｎｅ'ｓ ｃａｒ ｒａｃｅ ａｓ ｔｈｅｙ ｂｏｔｈ ｓｐｅｅｄ ｏｆｆ ｉｎｔｏ ａｔｏｍｉｃ ｄｅｓｔｒｕｃｔｉｏｎ. Ｔｈｏｕｇｈ ｔｈｅｓｅ ｍｅｎ, ｓｙｍｂｏｌｉｃ ｏｆ ｔｈｅｉｒ ｎａｔｉｏｎｓ ｏｆ ｏｒｉｇｉｎ, ａｒｅ ｉｎｄｅｅｄ ｗｏｒｋｉｎｇ ｔｏｇｅｔｈｅｒ ｔｏ ｓａｖｅ ｈｕｍａｎｋｉｎｄ, ｔｈｅｙ ｓｔｉｌｌ ｔａｋｅ ｔｉｍｅ ｏｕｔ ｔｏ ｆｅｅｄ ｔｈｅｉｒ ｅｇｏｓ ｗｉｔｈ ａ ｒａｃｅ. Ｈｉｓｔｏｒｉｃａｌｌｙ Ｂｒｉｔａｉｎ'ｓ ｒｅａｓｏｎ ｆｏｒ ａｔｏｍｉｃ ｔｅｓｔｉｎｇ ｉｎ Ａｕｓｔｒａｌｉａ ｗａｓ ｔｏ ａｖｏｉｄ ｃｏｍｐｌｅｔｅ ｄｅｐｅｎｄｅｎｃｅ ｏｎ ｔｈｅ Ｕ.Ｓ. ｆｏｒ ａｔｏｍｉｃ ｐｏｗｅｒ ａｎｄ ｈｅｒｅ ｉｓ ｗｈｅｒｅ Ａｕｓｔｒａｌｉａ'ｓ ｐｏｓｉｔｉｏｎ ｉｓ ｒｅｐｒｅｓｅｎｔｅｄ ｉｎ ｔｈｅ ｓｔｏｒｙ. Ｄｕｒｉｎｇ Ｗｏｒｌｄ Ｗａｒ ＩＩ Ａｕｓｔｒａｌｉａ ｗａｓ ａ ｒｅｆｕｇｅ ｆｏｒ Ａｌｌｉｅｄ ｆｏｒｃｅｓ ａｓ ａ ｂａｓｅ ｉｎ ｔｈｅ Ｐａｃｉｆｉｃ ａｎｄ ａｌｓｏ ｄｕｒｉｎｇ ｔｈｅ Ｋｏｒｅａｎ Ｗａｒ ｆｏｒ ｔｈｅ Ｕｎｉｔｅｄ Ｎａｔｉｏｎｓ. Ｔｈｅｙ ｈａｖｅ ｃｏｎｔｉｎｕｅｄ ｔｏ ｂｅ ａｎ ｉｍｐｏｒｔａｎｔ ｇｅｏｇｒａｐｈｉｃａｌｌｙ ｉｎ ｍｉｌｉｔａｒｙ ｓｔｒａｔｅｇｙ, ｂｕｔ ｎｅｖｅｒ ａ ｎａｔｉｏｎ ｏｆ ｐｏｗｅｒ ｉｔｓｅｌｆ. Ｗｅ ｓｅｅ ｔｈｉｓ ｐａｒａｌｌｅｌｅｄ ｉｎ Ｌｔ. Ｈｏｌｍｅｓ' ｃｈａｒａｃｔｅｒ, ｗｈｏ ｏｆ Ｂｒｉｔｉｓｈ ｏｒｉｇｉｎ, ｎｏｎ ｎａｔｉｖｅ ｐｌａｎｔｅｄ ｉｎ Ａｕｓｔｒａｌｉａ, ｓｔａｎｄｓ ｄｅｐｅｎｄｅｎｔ ｏｎ Ｊｕｌｉａｎ ｔｈｅ Ｂｒｉｔｉｓｈ ｓｃｉｅｎｔｉｓｔ ａｎｄ Ｔｏｗｅｒｓ ｔｈｅ Ａｍｅｒｉｃａｎ ｃｏｍｍａｎｄｅｒ. Ｔｈｅ ｉｎｆｏｒｍａｔｉｏｎ ａｂｏｕｔ ｔｈｅ Ｂｒｉｔｉｓｈ Ａｔｏｍｉｃ Ｔｅｓｔｓ ｗａｓ ｋｅｐｔ ｑｕｉｅｔ ａｎｄ ｕｎｄｅｒｗｅｎｔ ｉｎｔｅｒｎａｌ ｃｏｎｆｌｉｃｔ ｉｎ ｒｅｇａｒｄ ｔｏ ｓａｆｅｔｙ ｍｅａｓｕｒｅｓ. Ｔｈｅｓｅ ｒｅｐｏｒｔｓ ａｒｅ ｅｘｐｌｏｒｅｄ ｉｎ ｄｅｔａｉｌ ｎｏｗ ｔｈａｎｋｓ ｔｏ ａ ｌｏｃａｌ Ａｕｓｔｒａｌｉａｎ ｐａｐｅｒ, Ａｄｅｌａｉｄｅ Ｎｅｗｓ', ａｒｔｉｃｌｅ ａｐｐｅａｒｉｎｇ ｔｗｅｎｔｙ ｙｅａｒｓ ａｆｔｅｒ ｔｈｅｉｒ ｆｉｒｓｔ ｒｅｐｏｒｔ ｏｆ ｔｈｅ ｔｅｓｔｓ (Ｖａｒｎｅｙ). Ａｐｐａｒｅｎｔｌｙ ｔｈｅ ｈａｒｍｆｕｌ ｅｆｆｅｃｔｓ ｏｆ ｔｈｅ ｔｅｓｔ ｗｅｒｅ ｃｏｍｍｏｎ ｋｎｏｗｌｅｄｇｅ ｗｉｔｈｉｎ ｔｈｅ ａｔｏｍｉｃ ｃｏｍｍｕｎｉｔｙ ａｎｄ ｃａｕｓｅｄ ｃｒｉｔｉｃｓ ｏｆ Ａｔｏｍｉｃ ｔｅｓｔｉｎｇ ｍｕｃｈ ａｎｇｕｉｓｈ ｉｎ ｇｅｔｔｉｎｇ ｔｈｅｓｅ ｃｏｎｃｅｒｎｓ ｐｕｂｌｉｃｉｚｅｄ. Ｔｈｅ ｔｅｓｔｓ ｃａｕｓｅｄ ｗｉｄｅｓｐｒｅａｄ ｒａｄｉｏａｃｔｉｖｅ ｆａｌｌｏｕｔ ｗｉｔｈ ｍｅａｓｕｒｅｄ ｌｅｖｅｌｓ ｏｆ 900 ｔｉｍｅｓ ｂａｃｋｇｒｏｕｎｄ ｒａｄｉａｔｉｏｎ. Ｔｈｉｓ ｅｎｔｉｒｅ ｃｏｎｆｌｉｃｔ ｗａｓ ｃａｐｔｕｒｅｄ ｉｎ ｏｎｅ ｍｏｍｅｎｔ ｏｆ ａ ｓｃｅｎｅ ｉｎ ｔｈｅ ｆｉｌｍ ｗｈｅｒｅ Ｊｕｌｉａｎ ｈａｓ ａｎ ｏｕｔｂｕｒｓｔ ａｔ ａ ｐａｒｔｙ ａｂｏｕｔ ｔｈｅ ｄｏｏｍｅｄ ｆａｔｅ ｏｆ ｔｈｅ ｗｏｒｌｄ ａｎｄ ｃｉｔｅｓ ｔｈｉｓ ｓａｍｅ ｒａｄｉａｔｉｏｎ ｓｔａｔｉｓｔｉｃ. Ａｎｏｔｈｅｒ ｄｉｒｅｃｔ ｃｏｎｎｅｃｔｉｏｎ ｔｈｅ ｃｉｔｙ ｏｆ Ａｄｅｌａｉｄｅ ｈａｓ ｗｉｔｈ ａ ｓｃｅｎｅ ｆｒｏｍ ｔｈｅ ｆｉｌｍ ｈａｓ ｔｏ ｄｏ ｗｉｔｈ ｌｉｖｅｓｔｏｃｋ ａｆｆｅｃｔｅｄ ｂｙ ｔｈｅ ｒａｄｉａｔｉｏｎ. Ｓｅｖｅｒａｌ ｏｆ ｔｈｅ ｃａｔｔｌｅ ｗｅｒｅ ｔｅｓｔｅｄ ａｎｄ ｉｏｄｉｎｅ-131 ｌｅｖｅｌｓ, ａ ｐｒｏｄｕｃｔ ｏｆ ｒａｄｉａｔｉｏｎ, ｗｅｒｅ ｆｏｕｎｄ ｉｎ ｔｈｅｉｒ ｔｈｙｒｏｉｄ ｇｌａｎｄｓ. Ｔｈｉｓ ｐａｒｔｉｃｕｌａｒ ｉｎｓｔａｎｃｅ ｉｓ ｇｉｖｅｎ ａ ｍｏｍｅｎｔ ｉｎ ｔｈｅ ｆｉｌｍ ａｓ Ｊｕｌｉａｎ ｓｐｅｅｄｓ ｔｈｒｏｕｇｈ Ｍｏｉｒａ'ｓ ｆａｒｍ ｉｎ ｈｉｓ Ｆｅｒｒａｒｉ. Ａｓ ｔｈｅ ｒｏａｒｉｎｇ ｅｎｇｉｎｅ ａｐｐｒｏａｃｈｅｓ ｔｈｅ ｃａｔｔｌｅ ｉｎ ｔｈｅ ｆｏｒｅｇｒｏｕｎｄ, ｔｈｅ ｒａｎｃｈｅｒ ｃｏｎｔｅｓｔｓ ｗｉｔｈ Ｊｕｌｉａｎ ｔｏ ｎｏｔ ｓｃａｒｅ ａｌｌ ｔｈｅ ａｎｉｍａｌｓ. Ｍｏｉｒａ ｃｏｍｅｓ ｉｎｔｏ ｆｒａｍｅ ｗｉｔｈ Ｔｏｗｅｒｓ ｆｒｏｍ ｓｃｒｅｅｎ ｒｉｇｈｔ ａｎｄ ｃｏｎｆｉｒｍｓ ｔｈｉｓ ｓａｍｅ ｓｔａｔｅｍｅｎｔ ａｓ Ｊｕｌｉａｎ ｂｅｃｏｍｅｓ ｑｕｉｔｅ ｄｅｆｅｎｓｉｖｅ. Ｈｅｒｅ ａｌｓｏ ｉｓ Ｊｕｌｉａｎ'ｓ ｒａｃｅｃａｒ ｅｍｂｏｄｙｉｎｇ ｍａｎ'ｓ ｒｅｌａｔｉｏｎｓｈｉｐ ｗｉｔｈ ｍａｃｈｉｎｅ ａｓ ｗｉｎｎｉｎｇ ａ ｒａｃｅ ｔｏ ｈｉｓ ｏｗｎ ｄｅｓｔｒｕｃｔｉｏｎ. Ｔｈｅｒｅ ｉｓ ａｌｓｏ ｔｈｅ ｉｓｓｕｅ ｏｆ ｉｎｆｏｒｍａｔｉｏｎ ｂｅｉｎｇ ｗｉｔｈｈｅｌｄ ａｎｄ ｂｕｒｉｅｄ ｆｒｏｍ ｐｕｂｌｉｃ ａｗａｒｅｎｅｓｓ. Ｔｈｉｓ ｉｓ ｖｉｓｕａｌｉｚｅｄ ｉｎ ｓｕｂｔｌｅ ｗａｙｓ ｔｈｒｏｕｇｈ ｔｈｅ ｆｉｌｍ ｉｎ ｓｃｅｎｅｓ ｗｈｅｒｅ ｉｍａｇｅｒｙ ａｎａｌｏｇｉｚｅｓ ｉｎｆｏｒｍａｔｉｏｎ ｒｉｓｉｎｇ ｔｏ ｔｈｅ ｓｕｒｆａｃｅ. Ａｓ ｉｎ ｔｈｅ ｓｕｂｍａｒｉｎｅ ｒｉｓｉｎｇ ｔｏ ｔｈｅ ｓｕｒｆａｃｅ ｆｏｒ ｉｎｆｏｒｍａｔｉｏｎ, ｔｈｅ ｄｉｓｔｒｅｓｓ ｓｉｇｎａｌ ｓｃｏｕｔ ａｓｃｅｎｄｉｎｇ ｌａｄｄｅｒｓ ａｎｄ ｓｔａｉｒｓ ｆｏｒ ｉｎｆｏｒｍａｔｉｏｎ, ａｎｄ ａ ｓｃｅｎｅ ｏｆ Ｄｗｉｇｈｔ ｏｆ Ｈｏｌｍｅｓ ｍｏｖｉｎｇ ｕｐ ｏｕｔ ｏｆ ｔｈｅ ｄａｒｋｎｅｓｓ ｏｎ ａｎ ｅｌｅｖａｔｏｒ ｄｉｓｃｕｓｓｉｎｇ ａ ｌａｃｋ ｏｆ ｉｎｆｏｒｍａｔｉｏｎ. Ｉｆ ｄｅｅｐｌｙ ｉｎｔｅｒｐｒｅｔｅｄ, ｔｈｅｓｅ ｃｏｎｎｅｃｔｉｏｎｓ ｃａｎ ｂｅ ｓａｉｄ ｔｏ ｂｅ ｔｈｅ ｓｔｏｒｙ'ｓ ｄｉｓｔｒｅｓｓ ｓｉｇｎａｌ ａｂｏｕｔ Ａｔｏｍｉｃ ｗｅａｐｏｎｓ, ｂｕｔ ａｌｓｏ ｐｏｌｉｔｉｃａｌ ａｌｌｅｇｏｒｙ ｏｆ Ｂｒｉｔａｉｎ ａｎｄ ｔｈｅ Ｕｎｉｔｅｄ Ｓｔａｔｅｓ' ｌａｎｄ ｕｓｅ ｉｎ Ａｕｓｔｒａｌｉａ. Ｔｈｏｕｇｈ ｎｏｔ ａ ｆｉｌｍ ｕｓｕａｌｌｙ ａｓｓｏｃｉａｔｅｄ ｔｏ ｔｈｅ ｆｌｙｉｎｇ ｓａｕｃｅｒ ａｔｏｍｉｃ ｆｉｌｍｓ ｏｆ ｔｈｅ 1950'ｓ, ｉｔ ｉｓ ｉｎ ｆｕｌｌ Ｓｕｓａｎ Ｓｏｎｔａｇ'ｓ ｄｅｆｉｎｉｔｉｏｎ ｏｆ ｔｈｅ Ｓｃｉｅｎｃｅ Ｆｉｃｔｉｏｎ ｇｅｎｒｅ ａｓ ｔｈｅ "ｉｍａｇｉｎａｔｉｏｎ ｏｆ ｄｉｓａｓｔｅｒ." (Ｓｏｎｔａｇ) Ｗｏｒｋｓ Ｃｉｔｅｄ: Ｃａｖｅｎｄｉｓｈ………………………………..........................Ｒｉｃｈａｒｄ Ｃａｖｅｎｄｉｓｈ Ｆｉｒｓｔ Ｂｒｉｔｉｓｈ Ａｔｏｍｉｃ Ｂｏｍｂ Ｔｅｓｔ Ａｒｔｉｃｌｅ ｉｎ Ｈｉｓｔｏｒｙ Ｔｏｄａｙ 10/2/02 Ｍｏｒｒｉｓ……………………………………………………..Ｍｅａｇｈａｎ Ｍｏｒｒｉｓ Ｃｕｌｔｕｒａｌ Ｓｔｕｄｉｅｓ Ｒｏｕｔｌｅｄｇｅ, Ｃｈａｐｍａｎ & Ｈａｌｌ, Ｉｎｃ. 1992 Ｖａｒｎｅｙ……………………………………………………..Ｒｏｂｅｒｔ Ｗ. Ｖａｒｎｅｙ Ｕｎｉｖｅｒｓｉｔｙ ｏｆ Ａｄｅｌａｉｄｅ/Ｕｎｉｖｅｒｓｉｔｙ ｏｆ Ｎｅｗ Ｅｎｇｌａｎｄ ｈｔｔｐ://ｗｗｗ.ｃｏｕｎｔｒｙ-ｌｉｂｅｒａｌ-ｐａｒｔｙ.ｃｏｍ/ｐａｇｅｓ/ Ｂｏｂ_Ｖａｒｎｅｙ_Ｔｈｅｓｉｓ-ｃｈ1-2-3.ｈｔｍ#ｏｎｅ Ｓｏｎｔａｇ……………………………………………………..Ｊ.Ｐ.Ｔｅｌｏｔｔｅ Ｓｃｉｅｎｃｅ Ｆｉｃｔｉｏｎ Ｆｉｌｍ Ｃａｍｂｒｉｄｇｅ Ｕｎｉｖｅｒｓｉｔｙ Ｐｒｅｓｓ, 2001 Ｆｕｒｔｈｅｒ Ｒｅｓｏｕｒｃｅｓ/Ｗｅｂ ｌｉｎｋｓ: ｈｔｔｐ://ｄｅｌａｒｕｅ.ｎｅｔ/ｂｅａｃｈ.ｈｔｍ ｈｔｔｐ://ｗｗｗ.ｎｅｖｉｌｓｈｕｔｅ.ｏｒｇ/Ｒｅｖｉｅｗｓ/ｇａｒｄｎｅｒ.ｐｈｐ ｈｔｔｐ://ｗｗｗ.ｆｉｌｍ.ｑｕｅｅｎｓｕ.ｃａ/Ｃｒｉｔｉｃａｌ/Ｌａｗｒｉｅ3.ｈｔｍｌ ｈｔｔｐ://ｗｗｗ.ｅｍｐｔｙｗｏｒｌｄ.ｉｎｆｏ/ｆｉｌｍ_ｏｎ_ｔｈｅ_ｂｅａｃｈ.ｈｔｍｌ |
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- zengersmag.blogspot.com/...Center, Vermont Street north of University Avenue in Hillcrest. SAME ...Justice” — the county courthouse location at 220 West Broadway. The day...County Administrative Center, 1600 Pacific Highway downtown. Web links...
- whatdoino-steve.blogspot.com/... at neutral airport location, selecting 3 to 5 finalists...they are looking for. Alaska Pacific University is dedicated to the service...
Pacific University Location - Blog Homepage Results
... to oppose the Trans-Pacific Partnership Agreement (TPPA)”) Share this: Print...jQuery(document).ready(function() { check_location(); function check_location(trick...
...High School Institute - Super Hippie] Brigham Young University| Film Fall 2011 Film Series Schedule Documentary...first draft of the 2012 Orphan Film Symposium Pacific Cinémathèque VANCOUVER LATIN AMERICAN...
...IN THE PACIFIC NORTHWEST? GO TO THESE WEBSITES...jQuery(document).ready(function() { check_location(); function check_location...
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